![]() ![]() From inches to centimeters, online ruler allows you to measure objects in any parameter you need. It will help you measure things online without any physical ruler. What would you do now? That’s why, online ruler is a real need nowadays. Second situation be like, you are carrying your bag having a plastic ruler, sketch pencil, eraser, pointer and everything else, you put down your bag down and SNAAAAAAAP! Your ruler breaks due to external pressure.Īll your office work depends on a ruler and due to Sunday there is no stationery shop open today. ![]() Just imagine that you are working on your final university project, want to measure different objects, but Oops! You forget to buy a ruler and now you have nothing to measure things. The authoritative record of NPR’s programming is the audio record.Uncertainties have no limit, no day, no date and no time. This text may not be in its final form and may be updated or revised in the future. NPR transcripts are created on a rush deadline by an NPR contractor. Visit our website terms of use and permissions pages at for further information. SEGER ELLIS: (Singing) When you're smiling, when you're smiling, the whole.Ĭopyright © 2024 NPR. ![]() (SOUNDBITE OF SONG, "WHEN YOU'RE SMILING") SCHMITZ: A complicated and fascinating time capsule, Public Domain Day 2024 is on the Duke Law School website. They were routinely excluded from copyrights' benefits and were denied both the recognition and compensation for their work that they deserved. And at the time, Black artists were also subject to rampant exploitation. JENKINS: Many works from the era contain racial slurs, demeaning depictions, stereotypes. SCHMITZ: While the Harlem Renaissance revealed Black excellence, Jenkins reminds us it was still a time of legally enforced segregation. SCHMITZ: Plus Louis Armstrong's "Beau Koo Jack." Du Bois and "Home To Harlem" by Claude McKay. JENKINS: And this year, we are celebrating works such as "Dark Princess" by W.E.B. (SOUNDBITE OF LOUIS ARMSTRONG'S "BEAU KOO JACK") ![]() JENKINS: In 1928, the Harlem Renaissance was in full swing, SCHMITZ: Other works heading into the public domain today reflect a unique movement in U.S. JENKINS: And Woolf writes, (reading) in every human being, a vacillation from one sex to the other takes place, and often it is only the clothes that keep the male or female likeness, while underneath the sex is the very opposite of what it is above.Īnd so here's an exploration of gender fluidity from almost a hundred years ago that is still very much relevant today. SCHMITZ: All over the course of 300 years of British literary history. JENKINS: And one of my favorite books as an English major, Virginia Woolf's "Orlando," which features a fascinating character who experiences life as both a man and then a woman. Radclyffe Hall's "The Well of Loneliness." Lawrence's "Lady Chatterley's Lover," which explores lust and class division and which was famously banned as obscene. SCHMITZ: Such as a book that's inspired multiple film adaptations. Looking back into history this year, at 1928, we find exactly the same concerns and debates and even the same attempts to ban or censor certain themes and certain points of view. JENKINS: You know, right now we're in the midst of cultural battles about the extent to which things like gender identity are, or should be, viewed as immutable. SCHMITZ: In literature, Jenkins points to three titles headed to the public domain with familiar themes. UNIDENTIFIED ACTORS: (As characters, singing) For two. SCHMITZ: And it's worth noting here that old Arizona had only achieved statehood about 16 years before this Western was released. UNIDENTIFIED ACTORS: (As characters, singing) I'm half crazy, all for the love of you. We were at the end of the silent film era, and at the time, talkies with synchronized sound were a technological marvel, including a film that apparently features singing cowboys. JENNIFER JENKINS: In 1928, we were in the midst of a transitional period for cinema. Jennifer Jenkins runs the Center for the Study of the Public Domain at Duke Law School, and every year, she writes about some of the original works that lose legal protection. So that early version of Mickey Mouse is not alone in its release from the copyright cage. ![]()
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