If anyone has tried this effect with these instruments, I'd >appreciate specific advice. I suppose I could look into Automated concert lighting instruments, but am concerned about how >complicated and expensive they can be. Thanks for any suggestions and sharing your experiences! If anyone has tried this effect with these instruments, I'd appreciate specific advice. I suppose I could look into Automated concert lighting instruments, but am concerned about how complicated and expensive they can be. This is passable, but usually not perfectly realistic. I could potentially employ two of them alternating to compensate for their reset time.Īnother effect I've done for lightning simulation has been shutters on a light, and having an electrician flick them on and off. Strobe, where I might want a slightly longer flash. The problem I foresee is the short duration of the One thought I have is getting AC-powered\charged Photo Strobes and striking those. I plan to shoot a few tests, so I'm looking for suggestions. I'm shooting on RED, so I'm moderately concerned about rolling shutter artifacts with flashes, but I know they've decreased their read-reset time, so I'm hoping this won't be so bad. Also, I'm not shooting in Los Angeles, so using more commonly available materials would be ideal. Do they still make these flash bulbs and can you rent the strikers\sockets? I can't reallyĪfford Lightning Strikes, so I'm looking for a simpler and less expensive solution. I know the old effect was done with a paddle full of single use flash bulbs with a striker connected to a battery. Not sure about our gun wrangler yet, so I don't know if the gun will produce muzzle flashes or if they'll be Other shots may light up the face of the wielder of the gun. For example, some of the shots are night exteriors of building windows where the gun is going off inside and I have a script coming up that requires me to simulate muzzle flash lighting from guns. Simulating Gun Muzzle Flashes on a Budget All Camera and Lens evaluation from 2000 onwards.Lens Comparisons Anamorphic, Spherical, S35 & FF.The Agony of Choice - Vintage/New Lenses.ACES for cinematographers (video demo/class).ACES LUTs for use in a non-ACES environment.ACES - Geoff at AMPAS Cinematography Summit.ACES - Protect Your Creative Intent with ACES.If your perspective is off, you can sometimes turn your muzzle flash layer into a 3D layer and adjust it to match the perspective. You don't want to use a side shot of a muzzle flash when your gun is head on with the camera. You'll also want to keep in mind the perspective of the muzzle fire. You can get away with a lot here, but you can't go too crazy or your muzzle flashes won't look authentic. Select the appropriate muzzle flash for the type of gun you are using. Detonation Films a lot of them for great prices. The first thing you need to do is purchase some muzzle flashes. However, the following day, we had to shoot in a park, and we didn't feel it was wise or necessary (remember the common sense we talked about?) to shoot a realistic-looking prop gun in public. In my latest film, we were lucky enough to have a prop gun that ejected shells, so we didn't need any visual FX when we were shooting in a basement on a controlled set. This technique can be extremely useful in certain situations. We don't want anyone getting arrested or worse (God forbid), so please use common sense and caution when shooting your gun scenes. Now, before we get too deep into gun battles, I would like to warn you that shooting a realistic-looking gun in public is not something you want to do.
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